EASTERN KENTUCKY UNIVERSITY

Department of Music


Syllabus

MUS 273 — A SURVEY OF AMERICAN POPULAR MUSIC

Foster Music Building — Room 100; M-W-F, 9:05 A.M.

3.0 Credit Hours

Dr. Connie Rhoades, Associate Professor

Phone: 859-622-1342 — office
859-623-2106 — home
Download this syllabus as a Microsoft Word Document


COURSE DESCRIPTION

A Survey of American Popular Music is a course designed to provide a general historical overview of the development of popular music in the United States.

COURSE OBJECTIVE

The student should understand the origins and development of American popular music as it relates to the cultural, social, political, and economic trends and values that contributed significantly to the development and/or evolution of the music under study.

COURSE REQUIREMENTS

  1. Examinations — Five major exams will be given as well as a
  2. comprehensive final exam. The exams will consist of written questions based upon class notes and the text. In addition, a portion of each exam will be designated for questions regarding a listening assignment. See the General Course Plan for specific dates and content.

  3. Concert Attendance — Each student is required to attend a minimum of
  4. one Jazz performance during the course of the semester. The dates of both the Vocal Jazz Concert and the Jazz Ensemble Concert will be given to you well in advance. These concerts are generally held in Brock or Gifford Auditorium at 8:00 p.m. Off-campus jazz performances must be approved by the Instructor.

  5. Concert Essay — Each student is required to write a brief essay about the

jazz concert he/she attended. Please include a program of the concert attended. The assignment must be typed and should be very neat. Those papers that are messy and illegible simply will not be accepted. Please do not turn in a rough draft but a finished copy. It is assumed all assignments will represent the most fluid type of written communication of which a student is capable. This includes detailed attention to organization, sentence structure, grammar, spelling, and punctuation. Concert essays will be graded in the following manner: 70% - content; 15% - structure; 15% - grammar.

ATTENDANCE POLICY

Attendance is important since we listen and discuss the music that is being studied. Attendance will be taken each class period. If a student is late for class, it is his/her responsibility to notify the instructor of his/her presence after class. Three tardies equal one absence. Any student with more than fifteen percent unexcused absences will be assigned the grade of F. In this course, six unexcused absences is the maximum allowable. It shall be the responsibility of the instructor to determine whether an absence is excused or unexcused.

GRADING PROCEDURES

Each of the five examinations will represent 15% - totaling 75% of the final grade. The concert essay will count for 5% of the total grade while the comprehensive Final Exam will be worth 20% of the final grade. Persons who are consistently tardy or otherwise disruptive to the class will be penalized at least one letter grade.

In the event you are absent at one of the first five exams, you must discuss make-up possibilities immediately. It is not possible to make-up the Final Exam. Cassette tapes required for the purpose of studying for the listening portion of exams will be on reserve in the Music Library in the Foster Music Building basement.

Mid-term grades may be determined by averaging exam scores which are given to students the first or second class meeting after each exam.

The grading scale is as follows:

90 — 100 = A

80 - 89 = B

70 - 79 = C

60 - 69 = D

Below 60 = F

REQUIRED TEXT

American Music, A Panorama by Daniel Kingman — concise edition

FINAL EXAMINATION

The Final Examination will be comprehensive and will be given at the scheduled exam time. See the General Course Plan for the exact time and date of the exam.

FIRST CLASS MEETING POLICY

The first class period will last the full scheduled period.

 

GENERAL COURSE PLAN

Unit I — Folk and Ethnic Music

August 20 Introduction

22 The Anglo-American Tradition

25 The Anglo-American Tradition

27 The African-American Tradition

    1. American Indian and Latino Traditions

September 1 Holiday — No Class

3 Folk Music in the 20th Century

5 "Pure Pete Seeger" Video

8 Review for Exam No. 1

10 Exam No. 1

Unit II — Popular Sacred and Secular Music

12 Early American Sacred Music

15 Sacred Music

17 Early American Secular Music

19 Secular Music

22 Secular Music

24 Review for Exam No. 2

26 Exam No. 2

Unit III — Jazz

29 What is Jazz? Jazz Improvisation

October 1 Origins of Jazz/Early Jazz

3 Pre-Modern Jazz (1920s & 1930s)

6 Modern Jazz (1940s & 1950s)

8 Jazz Instrument Demonstration

    1. Contemporary Jazz

13 Holiday — No Class

15 Review for Exam No. 3

17 Exam No. 3

Unit IV — Country, Blues, Rock

20 Country Music

22 Country Music

24 Blues/Soul Music

27 Soul Music Video

29 Early Rock

31 The British Invasion

November 3 The British Invasion cont./1960s Rock Scene

    1. Guitar Heroes of Rock

7 CKMEA — No Class

    1. Reggae, Rap, Disco

12 Up from the Underground, MTV/Review

14 Exam No. 4

Unit V — Classical Music

17 Traditionally Evolving Classical Music/Music with Film

19 Music with Dance, Drama; Copland; Barber

21 Charles Ives, Henry Cowell, Edgar Varese

    1. Exploration and Experimentation

26 Holiday — No Class

28 Holiday — No Class

December 1 Review for Exam No. 5

3 Exam No. 5

5 Technological Trends in American Music

8 Review for Final Exam

10 Final Exam — 8:00 — 10:00 A.M.

No assignments will be accepted after December 8, 2003.

READING ASSIGNMENTS

Unit I

August 22 Chapter 1 pages 3 — 12

25 Chapter 2

29 Chapter 3 and Chapter 4

September 3 Chapter 1 pages 12 — 16

10 Exam No. 1 over Chapters 1 — 4

Unit II

12 Chapter 8 pages 139 — 150

15 Chapter 8 pages 151-156; Chapter 9

17 Chapter 10

19 Chapter 11

22 Chapter 12

26 Exam No. 2 over Chapters 8 — 12

Unit III

    1. No Reading Assignment

October 1 Chapter 13

3 Chapter 14

17 Exam No. 3 over Chapters 13 — 14

Unit IV

20 Chapter 5

24 Chapter 6

    1. Chapter 7

November 14 Exam No. 4 over Chapters 5 — 7

Unit V

17 Chapter 16

19 Chapter 17 pages 329 — 342, 346 — 348

21 Chapter 18 and Chapter 19

December 3 Exam No. 5 over Chapters 16 — 19

5 No Reading Assignment

8 No Reading Assignment 10 Final Exam over Chapters 1 — 14, 16 - 19

 

 

If there is any individual in this class who is in need of academic accommodations and who is registered with the Office of Services for Individuals with Disabilities, please make an individual appointment with the course instructor to discuss accommodations. Upon individual request, this syllabus can be made available in alternative forms. If any individual who is not registered with the Office of Services for Individuals with Disabilities but has need of academic accommodations, please contact the Office directly either in person on the first floor of the Turley House or by telephone at (859) 622-1500 V/TTY.


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