- Aspiring professional guitarists need preparation and training in
guitar technique, pedagogy, literature, performance practice, theory,
and history.
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- Private lessons are restricted to music majors and minors. All other
students are encouraged to take or repeat Mus
107 (Guitar Class). Students interested in learing more about
becoming a guitar major or minor need to contact Dennis
Davis.
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Learning Objectives:
- Students will learn musicianship.
- Students will learn proper guitar technique.
- Students will learn how to present historically informed and creatively
expressive performances of literature for the guitar from every major
style period..
- Students will learn guitar history and pedagogy.
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Student Assessment:
- Students will present assignments in lesson and masterclass as required.
- Students will take an aural and written mid-term and final. Guitar
specific research papers are due by mid-term.
- Students will perform as required during the semester and those
performances will be assessed by both the student and the instructor.
- Students will participate in several recital performances each semester.
Students are required to perform in convocation each semester (the
number of times depends upon the student/major). Other performances
will also be required. A recording session will occur the week before
or after each recital.
- Video and Audio recordings will assist the assessment process.
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Required Materials:
- Instruments: All students should own a quality classical
guitar (eventually spending $2,500-$5,000 as opposed to $200 or less)
and a versatile electric suited for jazz (humbucking pickups in neck
and bridge position- preferably splitable).
- Accessories: footstool, small music stand, concert attire,
metronome, music dictionary, nail care kit (diamond file, buffing
board, 600 grit or equivalent sand paper, replacement nails or ping
pong ball, and superglue with metal needle in the cap), cables, recording
device (or similar device - tape deck, minidisc, etc...), volume pedal,
amplifier, and picks.
- Texts: Specific literature and etude requirements depend
upon the student/major. Other texts, such as Studying Music History,
A Concise History of the Classical Guitar, Guitar Pedagogy,
The Real Book, and others as specified by the instructor, are
required.
- Scores, books, and other materials: It is the studentÕs responsibility
to quickly (by their next lesson) purchase or copy music as requested
by the instructor. Materials may be purchased from local stores, guitar
supply houses (Guitar Solo Publications),
the music office, or occasionally from the teacher when available.
Guitar majors should set aside $100-$150 per year for music. Note
- music and materials should be purchased promptly. Visit the required
repertoire site for more information.
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Reserve Materials Include:
-
Articles, journals, and books explaining various aspects
of guitar technique, performance, history, and pedagogy, .
-
A key to the Aebersold practice room. The key has
a two hour limit and may not be kept over night. Using this key is
a privilege not a right, and misconduct will result in loss of access.
-
Various items from my personal collection as necessary.
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Attendance Policy:
- Applied Lessons: Alternate lesson times will be arranged when the
professor has a scheduling conflict. Unexcused student absences will
not be rescheduled, and will be treated as a failing grade for that
lesson. Warning: an unexcused absence reduces your semester grade by
one letter. Only verifiable university or medical absences will be accepted.
- Recital Attendance: All guitar students, including those in class
instruction, are required to attend all recitals that involve guitar.
Missing any guitar related recital lowers the semester grade by one
letter. Examples include, but are not limited to, faculty recitals,
guest guitar recitals, and all ensemble recitals involving guitar. Apart
from required recitals per the guitar program, the Department of Music
has a recital attendance policy (see the student handbook at the Department
website for the complete set of departmental guidelines). Support
your fellow students by attending their recitals; they will reciprocate
by attending yours - again, if a guitarist is performing, it is required.
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Grading Policy:
- Lessons will be graded weekly, averaged, and combined with a midterm
and final jury grade. The semester grade will also include other assignments
such as masterclass, pedagogy, history, theory, and research papers.
The first lesson of each semester is used to outline objectives, discuss
priorities, and set goals. A lesson sheet is used to record weekly tasks.
All grades are based on the degree of improvement, quality of preparation,
amount of material covered, attendance, and how effectively semester
goals were realized. The grade 'B' indicates progress; 'A' indicates
exceptional work. Students receiving less than a B needs to reassess
their goals and career choice.
- The semester grade will be lowered by one letter for each unexcused
absence or three tardies. Failing the midterm or final exam will lower
the semester grade by one letter. Missing a required concert will lower
the semester grade by one letter. A guitar specific research paper is
required every semester.
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Credo:
- The study of music demands, as do all the arts, not only natural ability
and talents, but also more importantly dedication, sacrifice, self-discipline,
inquisitiveness, and the unrelenting desire to achieve excellence. Success
requires all of these attributes. Natural ability is not a substitute
for any other component. In fact, natural ability often unfairly enjoys
the credit earned by hard work and dedication. It is assumed that music
students are here to get the most from the Department of Music, its
faculty, and resources, and, that music students will work consistently
towards advancement in all areas, including those required outside the
field of music.
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Practice Requirements:
- Performance majors enjoy 4-6 hours daily, or, whatever amount of time
necessary to achieve the weekly goals. Music Education, Theory/Composition,
and Merchandizing practice less generally, but must take care of deficiencies
by the end of their first semester. This usually involves improving
technique, sight-reading, rhythm, interpretation, and other areas as
defined by the instructor. Non-performance majors are expected to do
the work necessary to become competent, expressive, multistyle guitarists.
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Lesson Assignments:
- Goals for the semester are outlined and discussed with each student
at the beginning of each semester. Generally these include technical
exercises, etudes, studies, repertoire from several style periods, and
required pedagogy and history readings. Visit the required
repertoire site for more detailed repertoire information.
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Required Meeting Times:
- Applied lessons are arranged each semester at a mutually convenient
time.
- Masterclass meets every MWF at 1:25 pm. unless there is a Friday Convocation
(attend the Friday convocation).
- Performance class meets every Tuesday from 4:00 - 5:00 pm.
- Ensemble meets every Tuesday from 5:00 - 7:00 pm.
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Lesson Preparation:
- It is assumed that lesson assignments will be practiced and carefully
considered. I am fairly adept at assessing whether or not assignments
have been practiced. I can also tell the difference between a student
nervously struggling to play something they have practiced and a student
that is simply unprepared. If a student comes to lesson unprepared they
will be sent to the practice room to work on their assignments. Unprepared
lessons affect your semester grade.
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Convocation, Jury, and Solo Concert
Attire:
- Degree Recitals: Tuxedo or Coat and tie with dress pants, shoes, and
socks. Some events may permit concert black. All attire decisions are
made by the instructor. A performing musician is expected to own a tuxedo.
It is the "uniform" of the industry. Tuxedo rental shops frequently
sell used tuxedos at reasonable prices.
- Guitar ensemble: Concert black, tuxedo, or similar approved apparel
depending on the situation.
- Jury (regular and Sophomore comprehensives): Dress shirt and tie with
dress pants, shoes, and socks.
- Convocation: Same as jury.
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Ensemble Requirements:
- The Eastern
Kentucky University Guitar Ensemble: All guitar majors and minors
will participate in the EKU Guitar Ensemble for duration of their studies
at EKU. The musical skills developed in ensemble playing are indispensable
to the professional guitarist. Guitar Ensemble is the primary ensemble
experience for all guitar students. The guitar ensemble presents a concert
each semester and members are required to perform ensemble works in
convocation twice each semester.
- EKU
Jazz Band: All performance majors are expected to participate in
jazz band at some point during their studies at EKU. If the student
is not accepted into Jazz Band they will satisfy the jazz band component
by playing in the Jazz combos. Auditions are held for all ensembles
at the beginning of each semester.
- Chamber Music Ensemble: Students can explore various ensemble opportunities
by performing chamber music.
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Performance Requirements:
- Solo Performances: All guitar students are required to perform in
masterclass several times each semester. Students are also required
to perform in convocation as part of their preparation for juries, solo
concerts, and sophomore comprehensive exams.
- Comprehensive Examination: Students must pass a Sophomore Comprehensive
Examination at the conclusion of the sophomore year to advance to upper
level coursework. All students, except performance majors, can retake
the exam if they fail.
- Juries: Students will perform a mid-term and final jury examination
each semester. The final jury will be evaluated by the string faculty.
- Studio Recital: Students will perform in a guitar studio recital recital
each semester.
- Additional Performances: Other performances will be required on a
regular basis and include concerts at other universities, recording
sessions, and other opportunities as required.
- All EKU guitar department recordings are the sole property of the
EKU department of music.
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Musicianship and Lesson Professionalism*
I. RESPONSIBILITY
A. Responsibility for Punctuality. You are prompt and reliable. Unforeseen
circumstances (i.e. death in the family) may necessitate your absence,
but you notify me.
B. Responsibility for essential equipment. You come to lessons prepared
with your instrument, pencils, tuning fork, metronome, extra strings,
and music cut and taped ready for use. You do not expect other people
to take care of you. You take your music seriously and you act in a
professional manner.
C. Responsibility for your playing. You can play your part. You have
studied your music, fingered the part, practiced it, and have warmed
up. Symphony musicians dare not come to a rehearsal unprepared to play
their parts. How can you perform your part if you are struggling to
read it?
D. Responsibility for contributing ideas. You have immediate responsibility
for suggesting modes of practice and interpretative ideas. You have
a leadership role. Regardless of your level, you should come to each
lesson prepared to move things forward.
II. LISTENING
A. Listening for correct pitches, tuning, attacks, releases, rhythm,
balance, color, phrasing, dynamics, in your playing. Singing while you
play takes care of these issues naturally.
B. Listening to the piece outside of your lesson Ñ keep it in your
head, conjuring up images of its sound, tapping rhythms, singing pitches,
getting the piece in your bones. Sing, Sing, Sing. If the music is in
your mind and in your ear, then you can get it into your fingers. The
reverse never works.
C. Record yourself often to check for progress. The recording can
be both rewarding and quite painful. It is an important tool for progress.
III. ATTITUDE
A. Accepting criticism is part of the process. Lessons focus on exposing
problems and celebrating triumphs. Not doing what your are told to do
is unprofessional and counterproductive to your goal of improving.
B. Treat everyone with respect regardless of what you think about them.
Any public/private gathering involving guitar majors demands mutual
respect. Do not play while others speak. Suppress the urge to make those
witty, biting, and counterproductive comments. It is easy for joking
to escalate into something much more serious. The guitar department
exudes a collective vibe - and that vibe must be positive. Work diligently
to remain positive. We are all part of the human condition and guitar
is really insignificant by comparison.
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Mus 132F (Freshman Guitar
Lessons)
- Private lessons are restricted to music majors and minors whom have
successfully auditioned for the instructor.
Non music majors are encouraged to enroll into Mus
107 (Guitar Class).
- Students with deficiencies will be accepted provisionally until their
deficiencies are corrected.
- Students should own the required basic equipment
and purchase materials as directed by the instructor.
- Students should select works from the required
repertoire list to satisfy repertoire requirements for their classification.
- Performance majors need to enroll for 2 credit hours. Other majors
should enroll for one credit.
- Mus 132F may be repeated for a total of 4 credits.
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Mus 232F (Sophomore Guitar
Lessons)
- Private lessons are restricted to music majors and minors whom have
successfully auditioned for the instructor.
Non music majors are encouraged to enroll into Mus
107 (Guitar Class).
- Prerequisite: Successful completion of Mus 132F.
- Students should select works from the required
repertoire list to satisfy repertoire requirements for their classification.
- Performance majors need to enroll for 2 credit hours. Other majors
should enroll for one credit.
- Mus 232F may be repeated for a total of 4 credits.
- All Sophomores must pass Sophomore Comprehensives Exams before they
can take any 300 level music courses. Refer to the Sophomore
Comprehensives Exam application for additional requirements.
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Mus 332F (Junior Guitar Lessons)
- Private lessons are restricted to music majors and minors whom have
successfully auditioned for the instructor.
Non music majors are encouraged to enroll into Mus
107 (Guitar Class).
- Prerequisite: Successful completion of Mus 232F and a passing grade
on the Sophomore Comprehensive Exam.
- Students should select works from the required
repertoire list to satisfy repertoire requirements for their classification.
- Performance majors need to enroll for 4 credit hours. Other majors
should enroll for two credits.
- Mus 332F may be repeated for a total of 8 credits.
- All Juniors will play a full recital (Mus 399) as part of their degree
requirements.
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Mus 432F (Senior Guitar Lessons)
- Private lessons are restricted to music majors and minors whom have
successfully auditioned for the instructor.
Non music majors are encouraged to enroll into Mus
107 (Guitar Class).
- Prerequisite: Successful completion of Mus 332F.
- Students should select works from the required
repertoire list to satisfy repertoire requirements for their classification.
- Performance majors need to enroll for 4 credit hours. Other majors
should enroll for two credits.
- Mus 432F may be repeated for a total of 8 credits.
- All Performance majors will play a full recital (Mus 499) as part
of their degree requirements.
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Mus 855 (Graduate Guitar Lessons)
- Private lessons are restricted to music majors and minors whom have
successfully auditioned for the instructor.
Non music majors are encouraged to enroll into Mus
107 (Guitar Class).
- Graduate performance majors need to audition.
- Graduates with deficiencies will be accepted provisionally until their
deficiencies are corrected.
- Prerequisite: Successful completion of an undergraduate degree in
music.
- Students should select works from the required
repertoire list to satisfy repertoire requirements for their classification.
- Performance majors need to enroll for 2-4 credit hours. Other majors
should enroll for two credits.
- Mus 855F may be repeated.
- All Performance majors will play a full recital (Mus 899) as part
of their degree requirements.
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Transfer Students
- Transfer students need to successfully audition for the instructor.
- Transfer students with deficiencies may be accepted provisionally
until their deficiencies are corrected. They may also be required to
take remedial lessons.
- Transfer students need to take the music theory placement examination.
- All transfer students need to submit the scholarship
wavier form.
- Transfer students will refer to their accepted classification for
specific requirements.
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* Adapted from writings by Professor Clare Callahan with permission.
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